Template:Kyoto School Keiji Nishitani (西谷 啓治 Nishitani Keiji?, 1900, Ishikawa Prefecture, Japan - 1990) was a Japanese philosopher of the Kyoto School and a disciple of Nishida Kitaro. In 1924 Nishitani put forward his dissertation Das Ideale und das Reale bei Schelling und Bergson and studied under Martin Heidegger in Freiburg during 1937-9.
He became the principal chair of religion at Kyoto University around 1943, and, according to James Heisig, after his being banned of holding any public position by the United States Occupation authorities in July 1946, Nishitani refrained from drawing "practical social conscience into philosophical and religious ideas, preferring to think about the insight of the individual rather than the reform of the social order."
Because the nature of Nishitani's philosophy was expressed more religiously and subjectively, he felt ideologically closer to the existentialists and the mystics, namely Søren Kierkegaard and Meister Eckhart, than to the scholars and theologians who were aimed at more objectively expressing their ideas. Nishitani, "the stylistic superior of Nishida," brought Zen poetry, religion, literature, and philosophy organically together in his work to help lay the difficult foundations of breaking free of the Japanese language in a similar way as Blaise Pascal or Friedrich Nietzsche. Furthermore, unlike Nishida, who had focused on building a philosophical system and who, towards the end of his career, began to focus on political philosophy, Nishitani focused on creating a standpoint "from which he could enlighten a broader range of topics," and wrote more on Buddhist themes towards the end of his career.
- Religion and Nothingness (ISBN 0-520-04946-2), Nishitani Keiji, Translated by Jan Van Bragt
- The Self-Overcoming of Nihilism (Modern Japanese Philosophy Series), Nishitani Keiji
- James W. Heisig. Philosophers of Nothingness. Honolulu: University of Hawai'i Press, 2001.
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- The Fascist Next Door? Nishitani Keiji and the Chuokoron Discussions in Perspective, Discussion Paper by Xiaofei Tu in the electronic journal of contemporary Japanese studies, 27 July 2006.
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