Yoko Kanno

Yoko Kanno (菅野 よう子) is a composer, arranger and musician best known for her work on the soundtracks for many games, anime films, TV series, live-action movies, and advertisements. She has written scores for famous animated works, including Macross Plus, Turn A Gundam, Cowboy Bebop, The Vision of Escaflowne, Ghost in the Shell: Stand Alone Complex, Wolf's Rain, and is the most trusted composer by veteran and new-wave directors such as Yoshiyuki Tomino, Shinichiro Watanabe and Shoji Kawamori. Kanno has also composed music for J-pop artists, the most notable being Maaya Sakamoto and Kyōko Koizumi. She is also a skilled keyboardist, and is the frontwoman for The Seatbelts, who perform many of Kanno's compositions on the various original soundtracks for which she is responsible.

Professional Life
Some of Yoko Kanno's most famous soundtrack themes include "Kiseki no Umi" (Lodoss War), "Voices" (Macross Plus), "Tank!" (Cowboy Bebop), "Yakusoku wa Iranai" (Escaflowne), "Gravity" (Wolf's Rain), "Inner Universe" (Ghost in the Shell: Stand Alone Complex) and Stand Alone Complex O.S.T. In regards to making the Stand Alone Complex soundtrack she said:

I had this image of a formal and rigid 'manly' world for the original comic. So I tried to think of ways to destroy that world. The theme I had in mind was, 'be human.' It represented the sentiment of 'why don't we take it easy and be more like a human being?'—instead of being a workaholic salaried man working for his company. Or be it Tachikoma wishing to become human. I wanted to express these 'tangible fuzziness,' sort of. For the opening theme song called 'inner universe,' I had an image of digital bits and composed a score consisting of recurrent quick beats.

Having composed in various genres, including blues, classical, jazz, techno, and J-pop, she was once asked if she favored a particular genre:

Ah ... I hear everyone talk about how many genres [I work in] like classical, jazz and others, but personally, I don't divide music by genre when creating. I don't create by saying, 'I must create a classical piece here,' or 'I must create a jazz piece here.' When I create music, I don't consider at all which genre I like best, but what the scene or the anime calls for, like a love [theme] or a mood. There isn't one genre I like more than the others. I find all of them satisfying and all inspire me in different ways.

Since she works in the animation industry, she only receives instructions and storyboards from directors which helps her with composing. However, it is uncertain if all of her works are to be included in the finished project. She once said that this is a way she likes to work, for she doesn't have to deal with rules during composing. In reference to this, she once stated:

In my case, the creators talk to me and ask me to do a soundtrack a year or two before the animation is finished. At that time, I think of the plot in my brain, when the characters' names—everything about the characters—has not been decided yet. This is even when the title has not be decided yet.

She was the lead member of the project band called The Seatbelts, which regrouped in the year of 2004 to compose the soundtrack of the PlayStation 2 Cowboy Bebop video game, released in Japan in 2005.

She has composed for many Koei games released during the late 1980s to early 1990s and for Napple Tale, a Dreamcast game. Due to her close involvement in the Cowboy Bebop anime, the game released by Bandai also features her work.

Apart from anime and games, Kanno also composes for live-action films and television commercials. Some popular brands she has composed for are Canon, DoCoMo, Fuji Xerox, Seven-Eleven, Microsoft, Nissan, Toyota, Shiseido, Avon, and Master Card to name a few. Grand Funk Inc. is her recording studio of choice in producing for these two media. Contributions to films started in the 90s but only since 2002 has there been a trend towards the medium. Most of the latter were shown in international film festivals.

She has attended Otakon and Anime Expo in 1999, as well as Anime Expo New York in 2002.

Personal life
She was married to fellow composer Hajime Mizoguchi, with whom she collaborated on the soundtracks for Please Save My Earth and The Vision of Escaflowne. They divorced in 2007. In addition to Japanese, she speaks very little English and some French, but claims that her English is "poor" and she needs translation help to converse in French. In regards to spirituality and religion, she said:

I'm not religious at all. But Japanese don't believe in one God, but in gods everywhere in plants and animals. That's right. In Japan, Christianity has a wonderful image. People enjoy the image of Christ and Christianity in picture books, but not as a religion.

Gabriela Robin is a pseudonym that Kanno occasionally uses when she performs vocals. For a long time, the fact that Robin and Kanno were the same person was an unproven rumor. But, on July 7, 2009, Yoko Kanno performed as Gabriela Robin on her stage, proving the rumor to be true.

Besides music, Kanno also enjoys photography and writing. She has written a number of journals for Newtype magazine of which photos for illustrations are done by Kanno herself as well, and a selection of photos taken by Kanno of her protogé and former production partner Maaya Sakamoto were featured in the special event program for Sakamoto's 2010 thirtieth birthday concert at Nippon Budokan.

Works for pop albums
(In Order of Starting Year of Affiliation)

Commercial music
This is a list of companies that have commissioned Kanno for commercial music.