Alice's Adventures in Wonderland

Alice's Adventures in Wonderland (commonly shortened to Alice in Wonderland) is an 1865 novel written by English author Charles Lutwidge Dodgson under the pseudonym Lewis Carroll. It tells the story of a girl named Alice who falls down a rabbit hole into a fantasy world (the Wonderland of the title) populated by peculiar and anthropomorphic creatures. The tale plays with logic in ways that have given the story lasting popularity with adults as well as children. It is considered to be one of the best examples of the literary nonsense genre, and its narrative course and structure have been enormously influential, especially in the fantasy genre.

History
Alice was published in 1865, three years after the Reverend Charles Lutwidge Dodgson and the Reverend Robinson Duckworth rowed in a boat, on 4 July 1862, up the River Thames with the three young daughters of Henry Liddell, (the Vice-Chancellor of Oxford University and Dean of Christ Church) : Lorina Charlotte Liddell (aged 13, born 1849) ("Prima" in the book's prefatory verse); Alice Pleasance Liddell (aged 10, born 1852) ("Secunda" in the prefatory verse); Edith Mary Liddell (aged 8, born 1853) ("Tertia" in the prefatory verse).

The journey began at Folly Bridge near Oxford and ended five miles away in the village of Godstow. To while away time the Reverend Dodgson told the girls a story that, not so coincidentally, featured a bored little girl named Alice who goes looking for an adventure. The girls loved it, and Alice Liddell asked Dodgson to write it down for her. After a lengthy delay—over two years—he eventually did so and on 26 November 1864 gave Alice the handwritten manuscript of Alice's Adventures Under Ground, with illustrations by Dodgson himself. Some, including Martin Gardner, speculate there was an earlier version that was destroyed later by Dodgson when he printed a more elaborate copy by hand, but there is no known prima facie evidence to support this.

But before Alice received her copy, Dodgson was already preparing it for publication and expanding the 15,500-word original to 27,500 words, most notably adding the episodes about the Cheshire Cat and the Mad Tea-Party. In 1865, Dodgson's tale was published as Alice's Adventures in Wonderland by "Lewis Carroll" with illustrations by John Tenniel. The first print run of 2,000 was held back because Tenniel objected to the print quality. A new edition, released in December of the same year, but carrying an 1866 date, was quickly printed. As it turned out, the original edition was sold with Dodgson's permission to the New York publishing house of Appleton. The binding for the Appleton Alice was virtually identical to the 1866 Macmillan Alice, except for the publisher's name at the foot of the spine. The title page of the Appleton Alice was an insert cancelling the original Macmillan title page of 1865, and bearing the New York publisher's imprint and the date 1866.

The entire print run sold out quickly. Alice was a publishing sensation, beloved by children and adults alike. Among its first avid readers were Queen Victoria and the young Oscar Wilde. The book has never been out of print. Alice's Adventures in Wonderland has been translated into 125 languages. There have now been over a hundred editions of the book, as well as countless adaptations in other media, especially theatre and film.

The book is commonly referred to by the abbreviated title Alice in Wonderland, an alternative title popularized by the numerous stage, film and television adaptations of the story produced over the years. Some printings of this title contain both Alice's Adventures in Wonderland and its sequel Through the Looking-Glass, and, What Alice Found There.

Publishing highlights

 * 1865: First UK edition (the suppressed edition).
 * 1865: First US edition.
 * 1869: Alice's Abenteuer im Wunderland is published in German translation by Antonie Zimmermann.
 * 1869: Aventures d'Alice au pays des merveilles is published in French translation by Henri Bué.
 * 1870: Alice's Äfventyr i Sagolandet is published in Swedish translation by Emily Nonnen.
 * 1871: Dodgson meets another Alice during his time in London, Alice Raikes, and talks with her about her reflection in a mirror, leading to another book Through the Looking-Glass and What Alice Found There, which sells even better.
 * 1886: Carroll publishes a facsimile of the earlier Alice's Adventures Under Ground manuscript.
 * 1890: Carroll publishes The Nursery "Alice", a special edition "to be read by Children aged from Nought to Five".
 * 1905: Mrs J. C. Gorham publishes Alice's Adventures in Wonderland retold in words of one syllable in a series of such books published by A. L. Burt Company, aimed at young readers.
 * 1907: Copyright on AAIW expires in UK, and so AAIW enters the public domain. At least 8 new editions are published in that year alone.
 * 1908: Alice has its first translation into Japanese.
 * 1910: La Aventuroj de Alicio en Mirlando is published in Esperanto translation by Elfric Leofwine Kearney.
 * 1916: Publication of the first edition of the Windermere Series, Alice's Adventures in Wonderland. Illustrated by Milo Winter.
 * 1928: The manuscript of Alice's Adventures Under Ground that Carroll wrote and illustrated and that he had given to Alice Liddell was sold at Sotheby's on April 3. It sold to Philip Rosenbach for ₤15,400, a world record for the sale of a manuscript at the time.
 * 1960: American writer Martin Gardner publishes a special edition, The Annotated Alice, incorporating the text of both Alice's Adventures in Wonderland and Through the Looking-Glass. It has extensive annotations explaining the hidden allusions in the books, and includes full texts of the Victorian era poems parodied in them. Later editions expand on these annotations.
 * 1961: The Folio Society publication with 42 illustrations by John Tenniel.
 * 1964: Alicia in Terra Mirabili is published in Latin translation by Clive Harcourt Carruthers.
 * 1982: Anturiaethau Alys yng Ngwlad Hud is published in Welsh translation by Selyf Roberts.
 * 1990: Contoyrtyssyn Ealish ayns Çheer ny Yindyssyn is published in Manx translation by Brian Stowell.
 * 1998: Lewis Carroll's own copy of Alice, one of only six surviving copies of the 1865 first edition, is sold at an auction for US$1.54 million to an anonymous American buyer, becoming the most expensive children's book (or 19th-century work of literature) ever sold, up to that time.
 * 2003: Eachtraí Eilíse i dTír na nIontas is published in Irish translation by Nicholas Williams.
 * 2008: Folio Alice's Adventures Under Ground facsimile edition (limited to 3,750 copies, boxed with The Original Alice pamphlet).
 * 2009: Alys in Pow an Anethow is published in Cornish translation by Nicholas Williams.
 * 2009: Children’s book collector and former American football player Pat McInally reportedly sold Alice Liddell’s own copy at auction for $115,000.
 * 2010: Alice in Wonderland and Philosophy Edited by Richard Brian Davis which includes a compilation of numerous essays written on specific events that occur in the novel. Also, each essay intertwines philosophy with the famous fairy tale.  The series is one of many edited by William Irvin, who also uses philosophical outlooks on other popular pop culture phenomenas.

Synopsis
Chapter 1-Down the Rabbit Hole: Alice is bored sitting on the riverbank with her sister, when she notices a talking, clothed White Rabbit with a watch run past. She follows it down a rabbit hole when suddenly she falls a long way to a curious hall with many locked doors of all sizes. She finds a small key to a door too small for her to fit, but through which she sees an attractive garden. She then discovers a bottle labelled "DRINK ME", the contents of which cause her to shrink too small to reach the key. A cake with "EAT ME" on it causes her to grow to such a tremendous size her head hits the ceiling.

Chapter 2-The Pool of Tears: Alice is unhappy and cries and her tears flood the hallway. After shrinking down again due to a fan she had picked up, Alice swims through her own tears and meets a Mouse, who is swimming as well. She tries to make small talk with him but all she can think of talking about is her cat, which offends the mouse.

Chapter 3-The Caucus Race and a Long Tale: The sea of tears becomes crowded with other animals and birds that have been swept away. Alice and the other animals convene on the bank and the question among them is how to get dry again. The mouse gives them a very dry lecture on William the Conqueror. A Dodo decides that the best thing to dry them off would be a Caucus-Race, which consists of everyone running in a circle with no clear winner. Alice eventually frightens all the animals away, unwittingly, by talking about her cat.

Chapter 4-The Rabbit Sends a Little Bill: The White Rabbit appears again in search of the Duchess's gloves and fan. Mistaking her for his maidservant, Mary Ann, he orders Alice to go into the house and retrieve them, but once she gets inside she starts growing. The horrified Rabbit orders his gardener, Bill the Lizard, to climb on the roof and go down the chimney. Outside, Alice hears the voices of animals that have gathered to gawk at her giant arm. The crowd hurls pebbles at her, which turn into little cakes. Alice eats them, and they reduce her again in size.

Chapter 5-Advice from a Caterpillar: Alice comes upon a mushroom and sitting on it is a blue Caterpillar smoking a hookah. The Caterpillar questions Alice and she admits to her current identity crisis, compounded by her inability to remember a poem. Before crawling away, the caterpillar tells Alice that one side of the mushroom will make her taller and the other side will make her shorter. She breaks off two pieces from the mushroom. One side makes her shrink smaller than ever, while another causes her neck to grow high into the trees, where a pigeon mistakes her for a serpent. With some effort, Alice brings herself back to her usual height. She stumbles upon a small estate and uses the mushroom to reach a more appropriate height.

Chapter 6-Pig and Pepper: A Fish-Footman has an invitation for the Duchess of the house, which he delivers to a Frog-Footman. Alice observes this transaction and, after a perplexing conversation with the frog, lets herself into the house. The Duchess's Cook is throwing dishes and making a soup that has too much pepper, which causes Alice, the Duchess and her baby (but not the cook or her grinning Cheshire Cat) to sneeze violently. Alice is given the baby by the Duchess and to her surprise, the baby turns into a pig. The Cheshire Cat appears in a tree, directing her to the March Hare's house. He disappears but his grin remains behind to float on its own in the air prompting Alice to remark that she has often seen a cat without a grin but never a grin without a cat.

Chapter 7-A Mad Tea Party: Alice becomes a guest at a "mad" tea party along with the Hatter (now more commonly known as the Mad Hatter), the March Hare, and a sleeping Dormouse who remains asleep for most of the chapter. The other characters give Alice many riddles and stories. The Mad Hatter reveals that they have tea all day because time has punished him by eternally standing still at 6 pm (tea time). Alice becomes insulted and tired of being bombarded with riddles and she leaves claiming that it was the stupidest tea party that she had ever been to.



Chapter 8-The Queen's Croquet Ground: Alice leaves the tea party and enters the garden where she comes upon three living playing cards painting the white roses on a rose tree red because the Queen of Hearts hates white roses. A procession of more cards, kings and queens and even the White Rabbit enters the garden. Alice then meets the King and Queen. The Queen, a figure difficult to please, introduces her trademark phrase "Off with his head!" which she utters at the slightest dissatisfaction with a subject. Alice is invited (or some might say ordered) to play a game of croquet with the Queen and the rest of her subjects but the game quickly descends into chaos. Live flamingos are used as mallets and hedgehogs as balls and Alice once again meets the Cheshire Cat. The Queen of Hearts then orders the Cat to be beheaded, only to have her executioner complain that this is impossible since the head is all that can be seen of him. Because the cat belongs to the Duchess, the Queen is prompted to release the Duchess from prison to resolve the matter.

Chapter 9-The Mock Turtle's Story: The Duchess is brought to the croquet ground at Alice's request. She ruminates on finding morals in everything around her. The Queen of Hearts dismisses her on the threat of execution and she introduces Alice to the Gryphon, who takes her to the Mock Turtle. The Mock Turtle is very sad, even though he has no sorrow. He tries to tell his story about how he used to be a real turtle in school, which The Gryphon interrupts so they can play a game.

Chapter 10-Lobster Quadrille: The Mock Turtle and the Gryphon dance to the Lobster Quadrille, while Alice recites (rather incorrectly) "'Tis the Voice of the Lobster". The Mock Turtle sings them "Beautiful Soup" during which the Gryphon drags Alice away for an impending trial.

Chapter 11-Who Stole the Tarts?: Alice attends a trial whereby the Knave of Hearts is accused of stealing the Queen's tarts. The jury is composed of various animals, including Bill the Lizard, the White Rabbit is the court's trumpeter, and the judge is the King of Hearts. During the proceedings, Alice finds that she is steadily growing larger. The dormouse scolds Alice and tells her she has no right to grow at such a rapid pace and take up all the air. Alice scoffs and calls the dormouse's accusation ridiculous because everyone grows and she can't help it. Meanwhile, witnesses at the trial include the Mad Hatter, who displeases and frustrates the King through his indirect answers to the questioning, and the Duchess's cook.

Chapter 12-Alice's Evidence: Alice is then called up as a witness. She accidentally knocks over the jury box with the animals inside them and the King orders the animals be placed back into their seats before the trial continues. The King and Queen order Alice to be gone, citing Rule 42 ("All persons more than a mile high to leave the court"), but Alice disputes their judgement and refuses to leave. She argues with the King and Queen of Hearts over the ridiculous proceedings, eventually refusing to hold her tongue. The Queen shouts her familiar "Off with her head!" but Alice is unafraid, calling them out as just a pack of cards; just as they start to swarm over her. Alice's sister wakes her up for tea, brushing what turns out to be some leaves and not a shower of playing cards from Alice's face. Alice leaves her sister on the bank to imagine all the curious happenings for herself.

Characters



 * Alice
 * The White Rabbit
 * The Mouse
 * The Dodo
 * The Lory
 * The Eaglet
 * The Duck
 * Pat
 * Bill the Lizard
 * The Caterpillar
 * The Duchess
 * The Cheshire Cat
 * The Hatter
 * The March Hare
 * The Dormouse
 * The Queen of Hearts
 * The Knave of Hearts
 * The King of Hearts
 * The Gryphon
 * The Mock Turtle

For all other characters see: List of minor Characters in the Alice Series

Character overlap with Looking-Glass
The Jabberwock and Tweedledum and Tweedledee only appear in the sequel, Through the Looking-Glass but are often included in film versions, which are usually simply called "Alice in Wonderland", causing the confusion.

The Queen of Hearts is commonly mistaken for the Red Queen who appears in the story's sequel, Through the Looking-Glass, but shares none of her characteristics other than being a queen and the fact that hearts is a red suit. The Queen of Hearts is part of the deck of card imagery present in the first book, while the Red Queen is representative of a red chess piece, as chess is the theme present in the sequel. Many adaptations have mixed the characters, causing much confusion.

Character allusions
The members of the boating party that first heard Carroll's tale all show up in Chapter 3 ("A Caucus-Race and a Long Tale") in one form or another. There is, of course, Alice Liddell herself, while Carroll, or Charles Dodgson, is caricatured as the Dodo. Carroll is known as the Dodo because Dodgson stuttered when he spoke, thus if he spoke his last name it would be Do-Do-Dodgson. The Duck refers to Canon Duckworth, the Lory to Lorina Liddell, and the Eaglet to Edith Liddell (Alice Liddell's sisters).

Bill the Lizard may be a play on the name of Benjamin Disraeli. One of Tenniel's illustrations in Through the Looking-Glass depicts the character referred to as the "Man in White Paper" (whom Alice meets as a fellow passenger riding on the train with her), as a caricature of Disraeli, wearing a paper hat. The illustrations of the Lion and the Unicorn also bear a striking resemblance to Tenniel's Punch illustrations of Gladstone and Disraeli.

The Hatter is most likely a reference to Theophilus Carter, a furniture dealer known in Oxford for his unorthodox inventions. Tenniel apparently drew the Hatter to resemble Carter, on a suggestion of Carroll's. The Dormouse tells a story about three little sisters named Elsie, Lacie, and Tillie. These are the Liddell sisters: Elsie is L.C. (Lorina Charlotte), Tillie is Edith (her family nickname is Matilda), and Lacie is an anagram of Alice.

The Mock Turtle speaks of a Drawling-master, "an old conger eel", that used to come once a week to teach "Drawling, Stretching, and Fainting in Coils". This is a reference to the art critic John Ruskin, who came once a week to the Liddell house to teach the children drawing, sketching, and painting in oils. (The children did, in fact, learn well; Alice Liddell, for one, produced a number of skilled watercolours.)

The Mock Turtle also sings "Beautiful Soup". This is a parody of a song called "Star of the Evening, Beautiful Star", which was performed as a trio by Lorina, Alice and Edith Liddell for Lewis Carroll in the Liddell home during the same summer in which he first told the story of Alice's Adventures Under Ground.

Poems and songs

 * "All in the golden afternoon..."—the prefatory verse, an original poem by Carroll that recalls the rowing expedition on which he first told the story of Alice's adventures underground
 * "How Doth the Little Crocodile"—a parody of Isaac Watts' nursery rhyme, "Against Idleness And Mischief"
 * "The Mouse's Tale"—an example of concrete poetry
 * "You Are Old, Father William"—a parody of Robert Southey's "The Old Man's Comforts and How He Gained Them"
 * The Duchess's lullaby, "Speak roughly to your little boy..."—a parody of David Bates' "Speak Gently"
 * "Twinkle, Twinkle, Little Bat"—a parody of "Twinkle twinkle little star"
 * The Lobster Quadrille—a parody of Mary Botham Howitt's "The Spider and the Fly"
 * "'Tis the Voice of the Lobster"—a parody of "The Sluggard"
 * "Beautiful Soup"—a parody of James M. Sayles's "Star of the Evening, Beautiful Star"
 * "The Queen of Hearts"—an actual nursery rhyme
 * "They told me you had been to her..."—the White Rabbit's evidence

Tenniel's illustrations
John Tenniel's illustrations of Alice do not portray the real Alice Liddell, who had dark hair and a short fringe. There is a persistent legend that Carroll sent Tenniel a photograph of Mary Hilton Babcock, another child-friend, but no evidence for this has yet come to light, and whether Tenniel actually used Babcock as his model is open to dispute.

Famous lines and expressions
The term "Wonderland", from the title, has entered the language and refers to a marvelous imaginary place, or else a real-world place that one perceives to have dream-like qualities. It, like much of the Alice work, is widely referred to in popular culture.

"Down the Rabbit-Hole", the Chapter 1 title, has become a popular term for going on an adventure into the unknown.

In Chapter 6, the Cheshire Cat's disappearance prompts Alice to say one of her most memorable lines: "...a grin without a cat! It's the most curious thing I ever saw in all my life!"

In Chapter 7, the Hatter gives his famous riddle without an answer: "Why is a raven like a writing desk?" When asked by Alice what the answer was, he responds with, "I haven't the slightest idea." Although Carroll intended the riddle to have no solution, in a new preface to the 1896 edition of Alice, he proposes several answers: "Because it can produce a few notes, though they are very flat; and it is nevar put with the wrong end in front!" (Note the spelling of "never" as "nevar"—turning it into "raven" when inverted. This reverse spelling was "corrected" in later editions to "never" and Carroll's pun was lost.) Puzzle expert Sam Loyd offered the following solutions: Cyril Pearson proposed: Many other answers are listed in The Annotated Alice. In Frank Beddor's novel Seeing Redd, the main antagonist, Queen Redd (a megalomaniac parody of the Queen of Hearts) meets Lewis Carroll and declares that the answer to the riddle is "Because I say so". Carroll is too terrified to contradict her.
 * Because the notes for which they are noted are not noted for being musical notes
 * Poe wrote on both
 * They both have inky quills
 * Bills and tales ("tails") are among their characteristics
 * Because they both stand on their legs, conceal their steels ("steals"), and ought to be made to shut up.
 * Occult: Marquis Andras, the raven from The Lesser Key of Solomon, riding a wolf with a sword.
 * Because they both slope with a flap.

Other answers include "because there is a B in both and an N in neither" (meant to highlight the absurdity of the original question), "Neither one is made of cheese", "It isn't", and "Why not?" (arising from a different interpretation of the question: instead of the question asking what the similarity between the two is, it asks why the similarity – whatever it is – exists in the first place).

Arguably the most famous quote is the Queen of Hearts screaming "Off with her head!" at Alice (and everyone else she feels slightly annoyed with). Carroll may have been echoing a scene in Shakespeare's Richard III (III, iv, 76) where Richard demands the execution of Lord Hastings, crying "Off with his head!"

When Alice is growing taller after eating the cake labeled "Eat me" she says, "curiouser and curiouser", a famous line that is still used today to describe an event with extraordinary wonder. The Cheshire Cat confirms to Alice "We're all mad here", a line that has been repeated for years as a result.

Oxford Locations
Most of the book's adventures may have been based on and influenced by people, situations and buildings in Oxford and at Christ Church, e.g., the "Rabbit Hole," which symbolized the actual stairs in the back of the main hall in Christ Church. A carving of a griffon and rabbit, as seen in Ripon Cathedral, where Carroll's father was a canon, may have provided inspiration for the tale.

Mathematics
Since Carroll was a mathematician at Christ Church, it has been suggested that there are many references and mathematical concepts in both this story and also in Through the Looking-Glass; examples include:
 * In chapter 1, "Down the Rabbit-Hole", in the midst of shrinking, Alice waxes philosophic concerning what final size she will end up as, perhaps "going out altogether, like a candle."; this pondering reflects the concept of a limit.
 * In chapter 2, "The Pool of Tears", Alice tries to perform multiplication but produces some odd results: "Let me see: four times five is twelve, and four times six is thirteen, and four times seven is—oh dear! I shall never get to twenty at that rate!" This explores the representation of numbers using different bases and positional numeral systems: 4 x 5 = 12 in base 18 notation, 4 x 6 = 13 in base 21 notation, and 4 x 7 could be 14 in base 24 notation. Continuing this sequence, going up three bases each time, the result will continue to be less than 20 in the corresponding base notation. (After 19 the product would be 1A, then 1B, 1C, 1D, and so on.)
 * In chapter 5, "Advice from a Caterpillar", the Pigeon asserts that little girls are some kind of serpent, for both little girls and serpents eat eggs. This general concept of abstraction occurs widely in many fields of science; an example in mathematics of employing this reasoning would be in the substitution of variables.
 * In chapter 7, "A Mad Tea-Party", the March Hare, the Mad Hatter, and the Dormouse give several examples in which the semantic value of a sentence A is not the same value of the converse of A (for example, "Why, you might just as well say that 'I see what I eat' is the same thing as 'I eat what I see'!"); in logic and mathematics, this is discussing an inverse relationship.
 * Also in chapter 7, Alice ponders what it means when the changing of seats around the circular table places them back at the beginning. This is an observation of addition on the ring of integers modulo N.
 * The Cheshire cat fades until it disappears entirely, leaving only its wide grin, suspended in the air, leading Alice to marvel and note that she has seen a cat without a grin, but never a grin without a cat. Deep abstraction of concepts (non-Euclidean geometry, abstract algebra, the beginnings of mathematical logic...) was taking over mathematics at the time Dodgson was writing. Dodgson's delineation of the relationship between cat and grin can be taken to represent the very concept of mathematics and number itself. For example, instead of considering two or three apples, one may easily consider the concept of 'apple', upon which the concepts of 'two' and 'three' may seem to depend. A far more sophisticated jump is to consider the concepts of 'two' and 'three' by themselves, just like a grin, originally seemingly dependent on the cat, separated conceptually from its physical object.

Mathematician Keith Devlin asserted in the journal of The Mathematical Association of America that Dodgson wrote Alice in Wonderland in its final form as a scathing satire on new modern mathematics that were emerging in the mid-19th century.

The French language
It has been suggested by several people, including Martin Gardner and Selwyn Goodacre, that Dodgson had an interest in the French language, choosing to make references and puns about it in the story. It is most likely that these are references to French lessons—a common feature of a Victorian middle-class girl's upbringing. For example, in the second chapter, Alice posits that the mouse may be French and chooses to speak the first sentence of her French lesson-book to it: "Où est ma chatte?" ("Where is my cat?"). In Henri Bué's French translation, Alice posits that the mouse may be Italian and speaks Italian to it.

Pat's "Digging for apples" could be a cross-language pun, as pomme de terre (literally; "Apple of the earth.") means potato and pomme means apple, which little English girls studying French would easily guess.

Classical languages
In the second chapter, Alice initially addresses the mouse as "O Mouse", based on her memory of the noun declensions "in her brother's Latin Grammar, 'A mouse — of a mouse — to a mouse — a mouse — O mouse!'" These words correspond to the first five of Latin's six cases, in a traditional order established by mediæval grammarians: mus (nominative), muris (genitive), muri (dative), murem (accusative), (O) mus (vocative). The absence of the sixth case, mure (ablative) from Alice's recitation, may be due to the wide variety of possible translations, e.g. "with a mouse", "by a mouse", or "from a mouse".

In Through the Looking-Glass and What Alice Found There, the White Queen offers to hire Alice as her lady's maid and to pay her "Twopence a week, and jam every other day." Alice says that she doesn't want any jam today, and the Queen tells her: "You couldn't have it if you did want it. The rule is, jam tomorrow and jam yesterday- but never jam to-day." This is a reference to the rule in Latin that the word iam or jam meaning now in the sense of already or at that time cannot be used to describe now in the present, which is nunc in Latin. Jam is therefore never available today.

Historical references
In the eighth chapter, three cards are painting the roses on a rose tree red, because they had accidentally planted a white-rose tree that the Queen of Hearts hates. Red roses symbolized the English House of Lancaster, while white roses were the symbol for their rival House of York. This scene is an allusion to the Wars of the Roses.

Cinema and television
The book has inspired numerous film and television adaptations. This list comprises only adaptations of the original books—that is, adaptations which attempt to retell Carroll's story (sometimes merging it with Through the Looking-Glass). Sequels and works otherwise inspired by – but not actually based on – those books (such as Tim Burton's 2010 film Alice in Wonderland), appear in Works based on Alice in Wonderland.
 * Alice in Wonderland (1903 film), silent film, directed by Cecil Hepworth and Percy Stow, UK.
 * Alice's Adventures in Wonderland (1910 film), silent film, directed by Edwin Stanton Porter
 * Alice in Wonderland (1915 film), silent film, directed by W. W. Young.
 * Alice in Wonderland (1931 film), directed by Bud Pollard.
 * Alice in Wonderland (1933 film) directed by Norman Z. McLeod, USA
 * Alice in Wonderland (1946 film), BBC starring Vivian Pickles directed by George More O'Ferrall, UK
 * Alice in Wonderland (1949 film), live-action/stop motion film with animation directed by Lou Bunin
 * 'Alice in Wonderland (1951 film), Walt Disney Animation Studios traditional animation film, USA
 * Alice in Wonderland (1955 TV-adaptation), a live television adaptation of the 1932 Broadway version of the novel, co-written by Eva LeGallienne and directed by George Schaefer for the Hallmark Hall of Fame
 * Alice in Wonderland (1966 film), BBC television movie directed by Jonathan Miller, UK
 * Alice's Adventures in Wonderland (1972 film), British musical film, UK
 * Alice in Wonderland (1981 film), Kievnauchfilm traditional animation, USSR
 * Alice at the Palace, filmed performance of Elizabeth Swados's 1981 production Alice in Concert
 * Alice in Wonderland (1983 film), filmed performance based on the 1982 Broadway revival, which in turn was based on the 1932 Broadway production
 * Alice in Wonderland (1983 film), Nippon Animation, animated TV-series, Japan
 * Alice in Wonderland (1985 film), television movie
 * Alice in Wonderland (1986 TV serial), 4×30 minute BBC TV adaptation written and directed by Barry Letts
 * Alice in Wonderland (1988 film), a 51-minute direct-to-video animated film from Burbank Films Australia
 * Alice (1988 film), a stop motion adaptation of the first book by Jan Švankmajer.
 * ''Adventures in Wonderland, a Disney television series that ran from 1991-1995
 * Alice in Wonderland (1999 film), television movie

Comic book adaptations
The book has inspired numerous comics adaptations.
 * Walt Disney's Alice in Wonderland (Dell Comics, 1951)
 * Walt Disney's Alice in Wonderland (Gold Key Comics, 1965)
 * Walt Disney's Alice in Wonderland (Whitman, 1984)
 * Alice in Wonderland (Antarctic Press, 2006, four issues)
 * Wonderland (Slave Labor Graphics, 2006, six issues)
 * Alice in Verse: The Lost Rhymes of Wonderland (Candleshoe Books, 2010, J.T. Holden)
 * Alice for the iPad (Atomic Antelope, 2010)

Live performance
With the immediate popularity of the book, it did not take long for live performances to begin. One early example is Alice in Wonderland, a musical play by H. Saville Clark (book) and Walter Slaughter (music), which played in 1886 at the Prince of Wales Theatre in London.

As the book and its sequel are Carroll's most widely recognized works, they have also inspired numerous live performances, including plays, operas, ballets, and traditional English pantomimes. These works range from fairly faithful adaptations to those that use the story as a basis for new works. An example of the latter is The Eighth Square, a murder mystery set in Wonderland, written by Matthew Fleming and music and lyrics by Ben J. Macpherson. This goth-toned rock musical premiered in 2006 at the New Theatre Royal in Portsmouth, England. The TA Fantastika, a popular Black light theatre in Prague performs "Aspects of Alice"; written and directed by Petr Kratochvíl. This adaptation is not faithful to the books, but rather explores Alice's journey into adulthood while incorporating allusions to the history of Czech Republic.

Over the years, many notable people in the performing arts have been involved in Alice productions. Actress Eva Le Gallienne famously adapted both Alice books for the stage in 1932; this production has been revived in New York in 1947 and 1982. One of the most well-known American productions was Joseph Papp's 1980 staging of Alice in Concert at the Public Theater in New York City. Elizabeth Swados wrote the book, lyrics, and music. Based on both Alice's Adventures in Wonderland and Through the Looking-Glass, Papp and Swados had previously produced a version of it at the New York Shakespeare Festival. Meryl Streep played Alice, the White Queen, and Humpty Dumpty. The cast also included Debbie Allen, Michael Jeter, and Mark Linn-Baker. Performed on a bare stage with the actors in modern dress, the play is a loose adaptation, with song styles ranging the globe.

Similarly, the 1992 operatic production Alice used both Alice books as its inspiration. It also employs scenes with Charles Dodgson, a young Alice Liddell, and an adult Alice Liddell, to frame the story. Paul Schmidt wrote the play, with Tom Waits and Kathleen Brennan writing the music. Although the original production in Hamburg, Germany, received only a small audience, Tom Waits released the songs as the album Alice in 2002.

In addition to professional performances, school productions abound. Both high schools and colleges have staged numerous versions of Alice-inspired performances. The imaginative story and large number of characters are well-suited to such productions.

A large-scale operatic adaptation of the story by the Korean composer Unsuk Chin to an English language libretto by David Henry Hwang received its world premiere at the Bavarian State Opera on 30 June 2007.

Works influenced


Alice and the rest of Wonderland continue to inspire or influence many other works of art to this day, sometimes indirectly via the Disney movie, for example. The character of the plucky, yet proper, Alice has proven immensely popular and inspired similar heroines in literature and pop culture, many also named Alice in homage.