Evolution of Bugs Bunny

Bugs' Bunny  was an unnamed rabbit before he was evolved into Bugs Bunny.

The rabbit's first appearance was essentially the same as the early Daffy Duck. He appeared in four cartoons before finally becoming the well-known character of Bugs Bunny in Tex Avery's A Wild Hare.

Several published first person accounts, encyclopedic references, and Warner Brothers own published material describe the inception of the name and of the character. A model sheet by Ben Hardaway describes this prototype character as "Bugs' Bunny" (note the apostrophe) but in most of the cartoons the character is unnamed.

Virgil Ross, the animator for A Wild Hare describes how the character came to be named in the interview published by Animato! magazine #19. Mel Blanc often told the story of the creation of the character and its name. He suggested that the character be named after the character's initial director, Hardaway. Blanc's own book, That's Not All Folks published by Warner Books in 1989, describes the "tough little stinker" that was the eventual version of the redesigned character as directed by Tex Avery.

Warner Brothers' own published descriptions of the creation of the character's name can be found in Animation Magazine published in 1990. Therein it is described that the Hardaway unit's model sheet came to be known by fellow animators as "Bugs' Bunny".

Porky's Hare Hunt


Bugs Hardaway began the experiment in Porky's Hare Hunt which was "his story" as he described in the lengthy interview published in Funnyworld Magazine, No 12, 1970. The interview was conducted by Michael Barrier and Milton Gray. It is posted on Mike Barrier's site In the cartoon Porky Pig is hunting and fires at several rabbits. Soon, Porky and his dog meet the rabbit and try to outwit him in the forest. Porky and the rabbit get in a long, long fight and soon the hare thinks he has won and that the war that is over; Porky, however, finds the rabbit and the Bunny doesn't have any brainstorms to protect him. The rabbit shows Porky a photo of himself and of how many children he has with his wife. However, when Porky's about to shoot him, the gun fails.

After Porky attempts to shoot down and procure the rabbit, the rabbit asks Porky: "Do you have a hunting license?" As Porky reaches for his pocket to obtain the document, the hyper-hare suddenly snatches it out of Porky's grasp, rips it in two, remarks, "Well you haven't got one now...hoohoohoohoohahahahah..hoo hoo hoo ha ha ha!" and makes a getaway by twisting his ears as though they were a helicopter propeller, flying away. Ultimately the rabbit wins when Porky throws dynamite into the cave in which the hare is hiding and the rabbit throws the dynamite back at him. Porky is in the hospital and the rabbit comes to him with some flowers. Porky tells the hare that he'll be out in a few days. The very hyper rabbit then pulls on the leg holders in Porky's bed, adding to the pig's injuries, and runs off into the forest.

Prest-O Change-O
Leon Schlesinger gave Chuck Jones the next cartoon, Prest-O Change-O. In this cartoon two rogue dogs are being pursued by a dog catcher until they hide in an abandoned house. There they encounter a trunk owned by Sham-Fu the magician (unseen). They open it, and all manner of magic tricks come out of the trunk, including his pet rabbit. The rabbit tricks the two dogs repeatedly, causing them endless frustration, until he is bested by the bigger of the two dogs, who bops him with a lampshade.

Hare-um Scare-um
Leon got Hardaway/Dalton to direct the next one, Hare-um Scare-um. It starts with a man reading a newspaper article stating that meat prices have soared (and that customers are sore). Angry, he declares that he'll hunt his own meat to get back at the government for the price inflation. He then tells his dog he is going hunting for rabbits. A rabbit lays a trap for the dog, the dog gets scared of the sound. The bunny then plays "Guess Who" with the dog, with the dog answering in barks. The hunter then sees rabbits, aims his gun, then runs over to where it was. When he gets there, there is a spinning wheel with rabbit signs. The hunter then sees the hare sleeping. The hunter starts pouring salt on the rabbit's tail, but the rabbit quickly changes position so that the hunter is salting a celery stalk instead. The rabbit starts eating it and says, "Celery, mighty fine nerve tonic. Boy, have I got nerve." The hare runs in a cave, and the hunter runs after him. Before he reaches the cave, an elevator appears and the hunter collides with it. The rabbit then opens it and says, "Main floor, leather goods, pottery, washing machines and aspirin, going up!" and closes it as the elevator goes up. The elevator floor goes back down, the hare opens it and says, "You don't have to be crazy to do this … but it sure helps," closes it and the elevator goes down. The bunny then dresses in girl-dog drag. The dog then sees the rabbit in drag; he thinks it's a dog, then he notices it's the rabbit. The hare then pretends he's a policeman. He then sings the same song as below. The hunter then finds the rabbit. He explains to the hunter how poor he is. He then shocks the hunter, who falls to the ground. The hunter then tells the now-hiding hare he can whip the rabbit and his whole family, then he's suddenly surrounded by a lot of rabbits that look like the first rabbit.

The cut ending
Urban legends once circulated about the real ending of this cartoon. The hunter threatens to beat up the wacky rabbit and his "whole family." After a huge family of rabbits appear, the TV version ends abruptly. At this point, two variant "original" endings were said to exist:


 * One "lost" ending supposedly showed the rabbits attacking the hunter and his dog, followed by an iris-out as a cartoon smoke cloud rages.
 * The other supposed "lost" ending also showed the rabbits attacking the hunter and his dog; here, however, once the smoke clears, the viewer sees that the hunter and his dog have been reduced to disembodied heads, rolling off into the sunset.

In 2009, animation historian David Gerstein debunked these two rumored endings by locating an actual original print. In it, the rabbits attack the hunter in a cartoon smoke cloud and then run away. The smoke clears up to show the hunter disheveled, but with his head and body still intact. The rabbit returns to give the hunter his broken rifle saying "You oughtta get that fixed. Somebody's liable to get hurt." He then returns to his looney self, bouncing on his head like a pogo stick down the road. The hunter snaps and goes insane, bouncing on his head like a pogo stick, too.

In a 1939 newspaper clipping featured in the blog, the hunter's name is given as "John Sourpuss".

Jones' "Elmer and rabbit" cartoons
Jones directed the next experimental cartoon, Elmer's Candid Camera. In this cartoon, Elmer has come to the country to photograph wildlife. As he tries to photograph a rabbit, the rabbit finds him a convenient victim to harass. This tormenting eventually drives Elmer insane, causing him to jump into a lake and nearly drown. The rabbit saves him, ensures that Elmer is all right now - and then kicks him straight back into the lake.

This was followed by Tex Avery's final-design setting A Wild Hare, but that was itself followed by one more cartoon to the same effect as ...Camera. Elmer's Pet Rabbit bore a title card shoehorned in between the opening credits and the start of the story reading, "Starring Bugs Bunny" (the first on-screen use of that name), but nevertheless featured the same off-model versions of Elmer and hare seen in ...Camera. Here, Elmer goes to a pet shop and buys a rabbit that promptly proceeds to turn his life upside down.

Cameos

 * The rabbit made two cameos in 1940, both starring Porky and both by Robert Clampett. The two cameos were Patient Porky and Naughty Neighbors.
 * In the Disney and Amblin Entertainment film Who Framed Roger Rabbit, the character can be seen walking through the Maroon Cartoon studio lot for a few seconds before the shot changes.
 * In a deleted sequence from the film Looney Tunes: Back in Action, Bugs Bunny, upon being zapped by a magical idol, transforms into the character. This sequence can be seen in the "Deleted Scenes" featurette on the DVD release.

Bugs comes
A Wild Hare (July 27, 1940) was the debut of Bugs Bunny as we know him today. Tex Avery changed several of the rabbit's characteristics: his voice became a cross between the Bronx and Brooklyn accents, the color of his gloves became white, as did the color of his mouth, and his ears were changed slightly as well. It is worth noting, however, that Patient Porky (September 14, 1940) featured a cameo by the prototype Bugs Bunny.

The cartoon was so successful that WB decided to keep him on as a recurring character, eventually becoming the studio's most popular cartoon character. The character's name, previously only used on model sheets, became the official all-purpose name as well, with one modification: the apostrophe was dropped from his first name (now pronounced "bugs" rather than "bugs-es"). A title card saying "featuring Bugs Bunny" was slapped onto Elmer's Pet Rabbit after initial production of that cartoon wrapped up, though that cartoon had the rabbit carry the pre-Wild Hare characteristics.

Bugs Bunny's personality continued to evolve over the years, from a largely "screwball" character (ala Daffy Duck), to a mixture of "screwball" and "everyman" characteristics. His definitive design was created in 1943 by Robert McKimson, and would be adopted by each unit slowly (though Chuck Jones had a slight variation).